Framed by a century and a half of racialized Chinese American musical experiences, Claiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zheng reveals t...(展开全部)

Framed by a century and a half of racialized Chinese American musical experiences, Claiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zheng reveals t...(展开全部)

Just hearing a few notes from certain songs can bring a movie back to life—whether the Doors’ “The End” from Apocalypse Now, Simon and Garfunkel’s “Mrs. Robinson” in The Graduate, or John Williams’ scores to such blockbusters as Jaws, Star Wars, and Raiders of the Lost Ark. But what is the relationship between film and music—where does the film begin and the music end? Taking o...(展开全部)

游惠貞 紐約大學電影碩士，任影展策展工作十數年，翻譯、編撰多本電影專書，二○○六年起任亞洲紀錄片連線基金委員，遴選年度亞洲紀錄片補助案，並?與相關活動規劃，二○一一年起主持「華文出版與影視媒合平台」。 AND亞洲紀錄片連線 亞洲紀錄片連線(Asian Network of Documentary），簡稱AND，是釜山國際電影節亞洲電影基金(Asian Cinema Fund)的一部分，由洪孝叔負責，日本的藤岡朝子、中國的張獻民、泰國的查莉妲?烏布倫吉及台灣的游惠貞共同擔任委員，每年年中開放亞洲紀錄片拍片計畫申請補助，獲得補助者即受邀到釜山電影節領取補助、參加相關活動、與亞洲同業串聯。本書是AND規劃的第一本亞洲紀錄片專書，二○一二年底推出英文版及韓文版，二○一四年推出中文版。 更多關於AND的細節，可上網查詢www.biff.kr 之Asian Ci...(展开全部)

《Asian Field土地Abtibt Gormley》首次向中国的读者展示中国观众对“土地‘的各种感受和反应，其中包括有留言、图片、文章等形式。 “从某种意义来说，《土地》是一项全球性项目，她是由地球上某一特定地区年龄各异的当地人民制造出来的。她由土制成、以火生成，其情感来自触摸，其思想来自观赏。”安东尼·葛姆雷的“土地”被认为是现代雕塑的经典作品。安东尼·葛姆雷是一位国际瞩目的艺术大师，自1989年，葛姆雷一直从事着一项与世界各国不同社区接触的长期项目———《土地》。为制造不同版本的《土地》雕塑，他游历了从巴西雨林到北欧等不同国家。 2003年1月，他与300多位不同年龄层次，来自广州东北部花都地区的市民一起，用了5天的时间，制造了近20万个小泥人，组成了大型雕塑巡展“土地”。

游惠貞 紐約大學電影碩士，任影展策展工作十數年，翻譯、編撰多本電影專書，二○○六年起任亞洲紀錄片連線基金委員，遴選年度亞洲紀錄片補助案，並?與相關活動規劃，二○一一年起主持「華文出版與影視媒合平台」。 AND亞洲紀錄片連線 亞洲紀錄片連線(Asian Network of Documentary），簡稱AND，是釜山國際電影節亞洲電影基金(Asian Cinema Fund)的一部分，由洪孝叔負責，日本的藤岡朝子、中國的張獻民、泰國的查莉妲?烏布倫吉及台灣的游惠貞共同擔任委員，每年年中開放亞洲紀錄片拍片計畫申請補助，獲得補助者即受邀到釜山電影節領取補助、參加相關活動、與亞洲同業串聯。本書是AND規劃的第一本亞洲紀錄片專書，二○一二年底推出英文版及韓文版，二○一四年推出中文版。 更多關於AND的細節，可上網查詢www.biff.kr 之Asian Ci...(展开全部)

Music＝Footage≠Music ◎帮音乐配影像难 还是影像配音乐难 其实这不重要 因为我都会 Is it harder creating music to go along with footage？ or creating footage to go along music ？ It’s not important , because I can do BOTH！ ◎ 继「D调的华丽」后 睽违六年 周杰伦首部MV导演全纪录写真图文书 MV侧录照+ 周导随笔 + 造型剖析+ 剧组人员谈导演 / 40多部音乐录影带 =周杰伦

Music＝Footage≠Music ◎帮音乐配影像难 还是影像配音乐难 其实这不重要 因为我都会 Is it harder creating music to go along with footage？ or creating footage to go along music ？ It’s not important , because I can do BOTH！ ◎ 继「D调的华丽」后 睽违六年 周杰伦首部MV导演全纪录写真图文书 MV侧录照+ 周导随笔 + 造型剖析+ 剧组人员谈导演 / 40多部音乐录影带 =周杰伦

Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a comp...(展开全部)

With Understanding Music and The Aesthetics of Music (1997) Roger Scruton set a new standard of rigour and seriousness in the philosophy of music. This collection of wide-ranging essays covers all aspects of the theory and practice of music, showing the significance of music as an expression of the moral life. The book is split into two parts, the first is devoted to the aesthe...(展开全部)